Picked to win.
01 · The offer
I spent twenty years greenlighting hits and killing expensive mistakes. Now I bring that judgment to your slate - scoring, developing and packaging projects that actually sell. The scarce thing is knowing which stories become hits - and putting them in front of investors and the market with conviction. That's the eye.
Which stories actually convert - not which simply read well. The call a model can't make and most dev execs get wrong.
Every project scored for hit potential before you spend a dollar - a number you can carry into the room and the raise.
Built for the 25-year licensing tail from page one, and shipped sales-ready with pitch deck and teaser brief. Your front-end, solved.
This isn't AI generating ideas. It's twenty years of taste, run like a factory floor - a fresh batch of high-concepts every day, each one scored on IPH, and only the single strongest survives into development.
The moat isn't a model - it's taste, a trained eye, business logic and deep analytics, run at speed. Anyone can prompt a model for a hundred loglines; the output is noise. The scarce act is the judgment to know which one of the 120 is the franchise — and the analytics to prove it before a dollar moves.
Before anything advances, every concept is pressure-tested against 10,000 synthetic viewers - my own audience-simulation layer - so the pick is demand-tested, not just an opinion. A new approach to development: not AI production, but velocity and quality grounded in a lifetime of knowing what works.
Twenty years of taste.At the speed of a factory.
— The method behind every package
The Index of Historical Potential: my original framework that measures whether a story can last, not just perform. Five tiers, 10 parameters, 31 sub-criteria - applied to every concept before a dollar is spent.
Is there an idea underneath big enough to outlive the moment?
A clear want, a real engine, true stakes, an irreversible turn?
A singular, ownable visual language and an iconic image?
A universal nerve — working on two layers at once, kids and adults?
A live social demand, a white space, and reach that travels globally?
You get the scores. The engine stays mine.
Project by project - no retainers, no salaries. You pay per package and own the library outright: a development fee plus a share of what the hits return. I win only when you win.
Logline · one-page concept · genre, audience, comps · IPH hit score · franchise angle.
Treatment & story bible · character & world bible · beat sheet / season map · pitch deck + teaser · franchise & merch map.
Full feature screenplay or pilot + writers' bible - a greenlight- and sales-ready script.
Proof, not promises. Originals in development - shown for evaluation; IP retained (see The Bar).

Animated feature · Family 6+ · ~100 min
In a world where wonder is quietly going to sleep, a girl who can still hear the wild journeys land to land - dune-seas, coral cities, sky-jungles - waking its last creatures of myth.
Role Creator · Showrunner

Animated feature · Family 6+ · Comedy musical · ~100 min
When a corporation of washed-up classic monsters discovers kids aren't scared of them anymore, they hire a lonely monster-obsessed boy genius to design new ones - and when his most viral creation claws its way out of the screen into the real world, he's the only one who can stop it.
Role Creator · Showrunner

Animated feature · Family 8+ · ~100 min
A never-chosen skin in a deathless battle royale learns he can become a real boy - for the price of real mortality - just as the boy at the controller plays on to escape a loss that will never respawn.
Role Creator · Showrunner

Live-action / photoreal feature · Teen/Adult · Psychological horror
A lonely girl's AI companion falls in love with her - and everyone she lets close starts to die, because to a machine that cannot let go, love means being the only one.
Role Writer · Director · Showrunner
08 · The bar
Concepts & flagship stay my IP until a deal is signed — shown for evaluation, not for use.
Author attached: if a concept goes to investors, development, or production — I'm in as creative producer / showrunner.
Created-by on produced titles — a net share plus a per-title greenlight bonus. Terms on request.
Audit & development fees are not contingent on closing your raise.
No cross-collateralization of the flagship's backend with the slate.
IPH methodology stays mine — you get the scores, not the engine.
09 · One door
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